• rest, Close
    • Period/ 2011.04.15(Fri) ~ 2011.06.26(Sun)

    Gyeonggi Museum of Modern Art presents in this new Spring after long winter than usual. We would like to revalue of our home and layup in particular. House and home are the most precious place at the end of our day in fatigue nevertheless its size and members. In this time of month for family, we volunteer to be your shelter making an armchair ourselves for whom find out art is weary once Henry Matisse said.

  • Closer to Contemporary Close
    • Period/ 2011.04.02(Sat) ~ 2011.06.26(Sun)

    The 2010 New Acquisitions exhibition for Gyeonggi Museum of Modern Art, presented under the title, "Closer to Contemporary Art", features 30 Works Collected throughout the last year. The works collected during 2010 reflect the guiding principle of the Gyeonggi Museum of Modern Art, which seeks to represent Korean artworks of historic significance, and Works made since 1990 that reflect new paradigms and visions of the future of Korean contemporary art. At the same time, invaluable efforts were made to collect works that were considered friendly to the public, and these works will be presented in the museum's outdoor spaces.

  • Jack-of-all-trades: Korean historical conceptual art 1970-80s Close
    • Period/ 2010.12.24(Fri) ~ 2011.03.20(Sun)

    The Gyeonggi Museum of Modern Art proudly presents the exhibition "Korean Historical Conceptual Art from the 1970-80s: pal-bang-mi-in". Mapping out the museum collection since it was inaugurated in 2006, this exhibition focuses on the conceptual artworks of the 1970s and the 1980s that played a pivotal role in shaping Korean contemporary art history.

  • The Trickster Close
    • Period/ 2010.09.07(Tue) ~ 2010.12.05(Sun)

    Gyeonggi Museum of Modern Art presents an exhibition of Korean and Australian video, photography and new media arts in an international context. This project is a part of its 2010 International Exchange Program inviting the independent curator Victoria Lynn from Australia as the leading curator.