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  • Machine, Dreaming of Life Close
    • Period/ 2013.07.05(Fri) ~ 2013.11.24(Sun)

    In the vacation season of July, 2013, we are pleased to open , an exhibition reviewing a dynamic side of contemporary art, pursuing GMoMA’s interest in representing the vitality of everyday life in art. Art has developed in various forms since its first known appearance over 25,000 years ago. From the imitation of nature, such as representational paintings, to revolutionary forms including abstract art, art has consistently been experimental to reflect the spirit of the contemporary period. About 200years ago, artists began to claimed to support of the idea ‘Art for art’s sake’.

  • Wanna be Your Family Members-Story of companion animals Close
    • Period/ 2013.05.03(Fri) ~ 2013.07.21(Sun)

    On the occasion of the Family Month, May, Gyeonggi Museum of Modern Art presents the exhibition, wannabe your famdy members-story of companion animals to enhance social awareness of .companion animals' as the new members of third family through art. Since the Agricultural Age humans have raised animals. Of course, these animals were a means of production, raised with economic, practical purposes for food and labor, and thus regarded as each family's valued property. However, animals living with humans in contemporary society have been objects completely different to those in our previous consciousness. They gained a new appellation, companion animal as partners of human joy. anger, sorrow, and pleasure in life.

  • Humans, Humans; The Pictorial History of Ordinary People by SHIN Hak Chul and AHN Chang Hong Close
    • Period/ 2013.04.04(Thu) ~ 2013.06.23(Sun)

    After an unusually cold winter, Gyeonggi Museum of Modern Art is delighted to welcome spring by presenting the exhibition Humans, Humans The Pictorial History of Ordinary People. This exhibition reviews the work of SHIN Hak Chul and AHN Chang Hong in the context of a pictorial history of ordinary people

  • Child Psychology in Picture Close
    • Period/ 2013.03.09(Sat) ~ 2013.05.05(Sun)

    My works on show at this exhibition aim to represent images from my dreams that made an impression on me during my childhood with reference to visual effects and principles found in specific notable paintings. They also intend to address the trauma I experienced at that time in three-dimensional installation work with reference to the principles of art psychotherapy. Inspired by the stark contrast of shades and surface textures in The Forest (1927-28) by Max Ernst and the unique, steep shapes found in the hills and mountains in the background of Flight into Egypt (1304-06) by Giotto, I compared such elements with those of the mountains I dreamed of as a child. The distinctive forms, tonalities, surface treatments, and techniques adopted in the two paintings were employed to create abstract three-dimensional representations of my dreams.

  • Africa, Afro Close
    • Period/ 2013.01.31(Thu) ~ 2013.04.21(Sun)

    Sponsored and planned by the GMoMA in collaboration with the Africa Art Museum, this exhibition is designed to increase people’s familiarity with contemporary African art that is still not widely known to the public. This exhibition will allow viewers to experience African art laden with fertile imagination. It will also act as an impetus to show another facet of the modern creativity of African art to those who regard it as merely a genre of primitive art. The works on show at this exhibition contain the modest happiness that the contemporary artists from the African continent wish to attain for themselves as well as that which they hope to convey to us.

  • Difficult Play Close
    • Period/ 2013.01.18(Fri) ~ 2013.03.03(Sun)

    Since the fall of 2012, the GMoMA has run Difficult Play, a comprehensive plural art program with artists from a wide range of fields including community artists, sculptors, theater actors, traditional Korean music performers, intangible cultural assets, and media artists alongside the disabled. This program displays a process of communication and collaboration between ten intellectually handicapped individuals and six artists, disclosing the diverse conflicts, respect, prejudices, understanding, homogeneity, and incongruity stemming from the differences and distances among them. Unlike other theaters and performances by disabled persons, this program does not aim to reinforce their capabilities or enhance their social abilities through artistic experiences. This is a beautiful endeavor to discover freestanding artistic value by disabled artists in terms of diversity.

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